News | LIU Ren and ZHANG Ruyi's participation in "Returning to The Sea: Philosophical Reflections on the Anthropocene Ocean" at TAG Art Museum

Qingdao, China

Artist|LIU Ren, ZHANG Ruyi

Group Exhibition | Returning to The Sea: 

Philosophical Reflections on the Anthropocene Ocean

TAG Art Museum, Qingdao

3 April 2024 – 10 June 2024

 

Don Gallery is pleased to announce the participation of artists LIU Ren and ZHANG Ruyi in the exhibition Returning to The Sea: Philosophical Reflections on the Anthropocene Ocean at TAG Art Museum, Qingdao, which is situated on the south bank of Tangdao Bay, has been focusing on regional issues since it opened in 2021. It is the first exhibition of a sustainable ocean-themed art project and offers a singular viewpoint and a multisensory experience that profoundly examines the ocean and considers the link between humanity and the ocean. With an eye towards our hopes and aspirations for the future of the earth's seas, it seeks to critically examine the numerous issues that the ocean is currently facing and to show how important the ocean is to future development potential and vision. The exhibition will run until the 10th of June, 2024.

 

 

Installation View

 

 

How Much Land Does A Man Need 一个人需要多少土地, LIU Ren 刘任, 2013. Oil on straw paper 油彩在草纸上, 30 × 25.5 × 4 cm × 10

 

6 Feet 6英尺, LIU Ren 刘任, 2016. Silk screening on stainless steel tape 丝网油墨在不锈钢卷尺上, dimensions variable 尺寸可变

Lin Jang Xian 临江仙, LIU Ren 刘任, 2017. Oil on straw paper 油彩在草纸上, 36.5 × 27.5 cm

 

Panta Rhei—202307171230, LIU Ren 刘任, 2023. Silk screening on straw paper, gold foil 丝网草纸、金箔, 114 × 102 cm

“Panta Rhei” tears a sheet from Greek philosopher Heraclitus’ summary of the ever-changing nature of existence, where “one cannot step twice into the same stream.” In the heady pace of today’s urban lifestyle, this adage is especially apparent. Straw paper, as a medium which is tossed aside only to be re-formed, is a testament to human life as it is wiped away again and again. In this series, LIU breaks down straw paper step by step, transforming it into pulp, and then drying it into a stone-like effect. The traces of personal information as it passes away is further emphasized and refined through this process. Within the cracks, the artist inserts gold, which forms a sharp contrast to the expendability of straw paper.

 

 

Misplacement-3 错位—3, ZHANG Ruyi 张如怡, 2019. Mixed media on wood panel 木板综合材料, 60 × 90 cm
Modern Fossil(Cockerel) 现代化石(小公鸡), ZHANG Ruyi 张如怡, 2024. Wood panel, metal, concrete, fishhook, mosaic tiles 木板、金属、混凝土、⻥钩、马赛克,sculpture雕塑 26.5 × 21 × 9 cm(with screw 含螺杆), mosaic base 马赛克底座 26 × 18 × 8 cm
The Drizzle细雨, ZHANGRuyi 张如怡, 2020. Aluminum foil, UV print, clip frame, net, wood panel, color pencil, 铝箔、UV打印、编辑框架、木板、彩铅,50 × 40 cm
Installation view of “Returning to The Sea: Philosophical Reflections on the Anthropocene Ocean” at TAG Art Museum, Qingdao, 2024. Image courtesy the artist and TAG Art Museum, Qingdao. Photo by CHAO Qixuan.
13 April 2024
of 82